Embroidery Fabric
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Embroidery fabric is a textile resulting from the intricate art of embroidery, where decorative designs are stitched onto a base fabric using threads, yarns, or even beads and sequins. Embroidery can be done by hand or machine, with hand embroidery often being more cherished for its unique, personalized touch.Silk, lace, cotton, and linen are popular base fabrics due to their durability and ability to hold stitches elegantly. The embroidery thread may match or contrast the base fabric, creating patterns ranging from simple geometric shapes to elaborate floral motifs and intricate scenes.
As one of the experienced Chinese embroidery fabric manufacturers & suppliers, Jiede embroidery fabric mainly include eyelet lace fabric, guipure lace fabric, sequin lace fabric, 3D lace fabric, beaded lace fabric and so on. Our embroidery lace fabric and embroidered fabric for dresses comfortable and breathable, great for wearing. We have kinds of machine types and strong production capacity, can provide customers with a variety of custom embroidered fabrics. As long as the customer provides a design, we can turn it into an embroidered fabric that the customer needs. If you are looking for embroidery fabric factory, you can contact us!
The embroidery is built in layers. Each butterfly wing is filled with parallel stitches laid tight and even, so the whole wing reads as one clean plane and catches the light without a broken line. The body is then worked in feather yarn: the pile stands upright instead of lying flat, so it stays fuzzy and soft to the hand and gives the motif real shadow and depth. The eyelet holes are punched through the ground and finished with dense stitching all around, leaving a clean, rounded rim that holds its shape.The repeat is spaced rather than packed. Butterflies appear at different scales, with eyelet flowers and large eyelet panels between them and fern-like embroidered sprigs filling the ground. That spacing works two ways: keep the panel whole where the repeat should stay visible, or cut around single butterflies for placement work on a plain ground.Both selvedges carry a heart-shaped fringe — small embroidered hearts suspended on fine thread drops along a scalloped edge. Because the ...
The interest here sits in the yarn rather than in the pattern alone. Feather yarn is hairy stitched into a floral vine, its pile spreads through the motif and softens every edge of the embroidery. What you see up close is a raised floral scroll with a fine fuzzy surface, and what you feel is a soft, yielding hand with no harshness coming off the thread. Nothing on the face is crisp or metallic — the whole surface stays quiet and downy.The motif is a classical symmetrical floral vine with scrollwork, repeated as an allover with a clear mirror line running through the pattern. Because the scrolls are directional and symmetrical, the fabric cuts well both on grain and as a centred panel: the vine can be centred on a bodice or a skirt front so the symmetry reads as a deliberate design decision, while the smaller scrolls work as a border along a sleeve or a hem. Allow for the repeat when laying the marker so the mirror line does not fall across a seam.The ground is a nylon-spandex lace —...
Motif and layout: The design repeats a scrolling vine with small bows, worked in a mirrored rhythm so panels read as one continuous story across the body. Horizontal border bands carry the heavier openwork and the fringe, which gives the cloth a natural direction - the eye follows the border, so it sits easily on a yoke, a tiered skirt or a sleeve head.Production: Because the scalloped border is finished by the embroidery itself, it can be positioned to become the finished edge of a hem, cuff or neckline, so no separate lace trim or rolled hem is needed. Cutters can work the motif directionally and treat the border as a design line rather than a seam to be hidden - a saving in both material and machine time.Season and styling: A white, softly reflective surface with a romantic, sweet character. It suits spring and summer womenswear, occasion dressing and layered looks, and carries equally well into bridal-adjacent ranges.
Construction and hand feel. The embroidery is worked in two registers: dense satin-stitched petals that carry a padded, three-dimensional relief, and eyelet apertures whose raw edges are cut away and overcast with a tight zigzag so the circles stay open and clean through washing and pressing. The 100% cotton ground stays soft and dry to the touch, and at 185g/m the fabric keeps enough body to hold a shaped seam while remaining light enough to wear unlined in warm weather.Motif and layout. The design runs as repeating vertical columns: an eyelet circle column alternating with a trailing vine carrying five-petal flowers and leaves. The repeat is even and continuous, which matters at the cutting table — panels can be cut on the vine direction for a continuous border effect along a hem or sleeve, or cross-cut for an allover look, with predictable placement and little waste from motif mismatch.Edge construction. Both selvedges carry a scalloped eyelet border worked into the fabric itself...
Construction and hand feel. The eyelet openings and the raised petals are worked in the same embroidery sequence, so the punched holes and the sculpted flowers sit on one continuous surface instead of being assembled afterwards. Every opening is bound with dense satin stitching, keeping the circles clean and even across the panel. The hand feel stays soft and smooth: the 3D petals are raised but pliable, and the cotton ground is light enough to drape rather than stand away from the body.Motif and placement. The repeat is built around a large round floral, ringed by a full circle of eyelet petals, with smaller embroidered blossoms filling the spaces between floral. Read across the width, the effect is flowers surrounding flowers — a continuous field of bloom rather than a sparse scattered print. For a centred look, cut the bodice or a single sleeve head on the floral; for an allover look, run the repeat across panels and let the small blossoms carry the spaces in between.Edge finishi...
Craft and hand feel — The embroidery is worked in raised 3D form, so each petal sits above the tulle and casts its own shadow instead of lying flat like a print. The cotton tulle ground is fine and open, which is what gives the fabric its airy look and its soft, breathable handle; the polyester thread supplies the definition and keeps the petal edges crisp through washing and wear. The result is a cloth that holds structure in a bodice without feeling stiff on the body.Motif layout and panel planning — The design reads as single daisies scattered at a relaxed rhythm, with small three-flower sprays rising from the border into the main field. That spacing is deliberate: generous negative space means a sheer panel still looks sheer after it is cut, so the embroidery accents the garment rather than covering it. In development, the sprays work best placed at the hem, sleeve or yoke — the points where the eye already lands — while the plain scattered field suits the body of a skirt or a s...
The defining quality here is depth. The embroidery is built up in relief on a fine cotton ground, so each fan-shaped flower head and leaf spray sits proud of the surface and holds its shape instead of collapsing into a flat print-like effect. Under daylight the raised threads pick up a light-and-shadow line along every motif edge, which is what gives the fabric its dimensional, hand-worked look on the garment.The ground is a fine, open cotton weave, which keeps the cloth light and airy while the embroidery carries the visual weight. It is soft to the touch and breathable against the skin. The white-on-white palette keeps the pattern quiet and lets the relief do the talking, so the fabric works as a full garment or as a detail panel on a plainer base.The motif runs as a trailing floral vine: fan-shaped flower heads spaced along curling stems, with fine leaf sprays filling the intervals. The repeat reads in one direction, which makes directional cutting straightforward — line the vine...
This 3d printing embroidery lace is light weight, soft and has a nice light drape.It is made by special printing embroidery.It is perfect for overlays on special occasion apparel, pretty lace accents and accessories.
The 3D embroidery is dense enough to read clearly from a distance — the butterfly wings and leaf scrolls sit proud of the ground — yet the tulle mesh stays open, so the fabric breathes and drapes instead of standing away from the body. It is a cloth that photographs well and wears comfortably in warm weather.The motif runs as a directional repeat of trailing vines and butterflies, with a clear top-to-bottom flow. This makes it straightforward to place on the body: the vine lines can be aligned to the centre front or the sleeve, and the butterfly clusters used as focal points.Both selvedges are finished with a water-soluble lace border. That border is part of the width, not a separate trim, so a garment edge can be cut straight from the roll and left as a finished scalloped edge — no separate lace attachment, no raw hem to bind. For production this removes an operation and the trimming waste that usually comes with it.It is a spring/summer cloth by nature: light, airy and soft, made...
This organza tulle embroidery fabric is light weight.And this is our new style and hot selling.You can use it for wedding dress or overlays on unique dresses and skirts,or lingerie and more.
The pattern is an allover floral vine repeat: fan or scallop medallions with a radial satin core, small four-petal blossoms scattered between the vines, and slender stems with bead-like buds that lead the eye across the panel. Because the repeat is balanced rather than directional, the fabric can be cut on either direction for bodices, sleeves and skirt panels without breaking the design.The hand is soft, comfortable and breathable. Tulle is an open, airy ground that lets heat move through, while the embroidery adds just enough body for the cloth to hold a pleat, a gathered tier or a soft flare without heavy lining. It drapes lightly on the body and stays cool against the skin — the reason it works so well for spring and summer pieces.Both selvedges are finished with wavy, water-soluble scalloped embroidery. That edge is already a finished edge, so it can be cut and sewn straight into a hem line: no rolled hem, no overlocking, no hand-trimming of the scallop. For a production team t...
The ground is a fine cotton tulle: light, airy and pleasant against the skin. Because the embroidery sits on top of the mesh instead of being worked into a dense base cloth, the fabric keeps its breathability — which is what makes it work for spring and summer rather than only for occasion wear. The hand feel is soft and comfortable, with just enough body for the motifs to stay lifted.Both selvedges are finished with a scalloped edge. For production this is the detail that saves time: the border can be used straight off the cut as a hem, a cuff finish or an overlay edge, without rolling, binding or re-embroidering it. Panels can also be cut to follow the scallop, so the garment edge becomes a design line rather than a seam.In use it reads as a summer fabric with a dressed-up surface: light enough for blouses and shirts, dresses, and sheer enough to layer over a lining or a contrasting ground for a two-tone effect.
Jiede as one of the experienced apparel fabric manufacturer which can help you solve all your needs and problems in fashion fabrics.
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