The 3D embroidery is dense enough to read clearly from a distance — the butterfly wings and leaf scrolls sit proud of the ground — yet the tulle mesh stays open, so the fabric breathes and drapes instead of standing away from the body. It is a cloth that photographs well and wears comfortably in warm weather.The motif runs as a directional repeat of trailing vines and butterflies, with a clear top-to-bottom flow. This makes it straightforward to place on the body: the vine lines can be aligned to the centre front or the sleeve, and the butterfly clusters used as focal points.Both selvedges are finished with a water-soluble lace border. That border is part of the width, not a separate trim, so a garment edge can be cut straight from the roll and left as a finished scalloped edge — no separate lace attachment, no raw hem to bind. For production this removes an operation and the trimming waste that usually comes with it.It is a spring/summer cloth by nature: light, airy and soft, made...

The pattern is an allover floral vine repeat: fan or scallop medallions with a radial satin core, small four-petal blossoms scattered between the vines, and slender stems with bead-like buds that lead the eye across the panel. Because the repeat is balanced rather than directional, the fabric can be cut on either direction for bodices, sleeves and skirt panels without breaking the design.The hand is soft, comfortable and breathable. Tulle is an open, airy ground that lets heat move through, while the embroidery adds just enough body for the cloth to hold a pleat, a gathered tier or a soft flare without heavy lining. It drapes lightly on the body and stays cool against the skin — the reason it works so well for spring and summer pieces.Both selvedges are finished with wavy, water-soluble scalloped embroidery. That edge is already a finished edge, so it can be cut and sewn straight into a hem line: no rolled hem, no overlocking, no hand-trimming of the scallop. For a production team t...

The ground is a fine cotton tulle: light, airy and pleasant against the skin. Because the embroidery sits on top of the mesh instead of being worked into a dense base cloth, the fabric keeps its breathability — which is what makes it work for spring and summer rather than only for occasion wear. The hand feel is soft and comfortable, with just enough body for the motifs to stay lifted.Both selvedges are finished with a scalloped edge. For production this is the detail that saves time: the border can be used straight off the cut as a hem, a cuff finish or an overlay edge, without rolling, binding or re-embroidering it. Panels can also be cut to follow the scallop, so the garment edge becomes a design line rather than a seam.In use it reads as a summer fabric with a dressed-up surface: light enough for blouses and shirts, dresses, and sheer enough to layer over a lining or a contrasting ground for a two-tone effect.

SPT1-Y1757 combines two techniques on the same cloth. Eyelet punching cuts a clean outline around every butterfly and flower, letting daylight through the pattern and giving the design its open, airy structure. 3D embroidery then builds the same motifs in raised stitch, so petals and wings stand up from the tulle instead of lying flat on it. The result is a pattern that reads as three-dimensional from any angle — the reason the flowers and butterflies look alive rather than printed.The ground is 100% cotton tulle, embroidered in 100% polyester thread. The cotton keeps the fabric soft and comfortable against the skin and lets it breathe; the polyester holds the fine detail of the wings and the tension of the raised stitch, so the motif keeps its shape through dyeing and wear.At 220 g/m the cloth stays light — this is fabric for July, not for structure — yet it carries enough body to hold a skirt panel and to keep a bodice from clinging. The 50/51 inch width gives room for full skirt ...

SPT1-Y1756 is a 3D embroidered tulle lace. The ground cloth is 100% cotton tulle; the embroidery is 100% polyester thread, worked in dense raised stitches that stand proud of the mesh, so the pattern reads as true three-dimensional relief rather than a flat surface effect.The handle is soft and comfortable — light on the body, gentle against the skin — while the embroidery supplies the structure and the visual weight.Both edges across the width are finished with a scalloped wave. That edge is the design: cut along the selvedge and the scallop becomes your finished trim — a cuff, a top hem, a skirt line — with no binding, no rolled hem, no extra pass through the machine. It is the fastest way to add a couture detail to a commercial garment.The fabric dyes cleanly and can be matched to your color standards, so one quality can carry an entire color range within a single collection.At 48/49 inches and 220 g/m it sits where everyday dressing wants it: enough body to hold a soft silhouett...

This fabric is built on a soft, breathable 100% cotton tulle ground that feels comfortable against the skin, and it carries two embroidery techniques in the same cloth. Small floral motifs are worked in raised 3D embroidery, so each petal sits proud of the surface with 3D embroidery effect; larger floral shapes are opened with eyelet process, cutting clean circular apertures straight through the embroidered ground. The two techniques sit side by side across the fabric, so light passes through the sheer cotton while the embroidered flowers stay solid and dimensional. The result is a genuine layered surface — matte cotton mesh, raised thread, and open holes reading at three different depths — rather than a flat printed effect, and the texture changes as the cloth folds and drapes.Both selvedges are finished with a continuous wavy scalloped border worked in the same embroidery thread, with eyelet apertures following the scallop. A hem, sleeve opening or neckline can be cut along the sc...

This cotton 3D embroidery fabric builds its pattern in two layers. Large blossoms are embroidered as raised, multi-petal structures, their edges left softly fringed so each flower stands away from the surface and casts its own shadow. Around them, slender vines, leaves and small rosettes are worked in fine flat satin stitch, giving a crisp linear counterpoint to the volume of the blooms. The result is a tone-on-tone ivory design that reads as quiet and expensive in daylight and turns sculptural under directional light.The ground is a fine, lightly translucent cotton cloth, so the embroidery appears to float while the fabric still keeps a soft, comfortable handle. With a 50/51" width and 280 g/m² weight, it carries enough body for structured cutting yet stays pliable for drape. It is made for evening gowns, bridal and bridesmaid dresses, cocktail dresses, overlays, capes, sleeves, skirts and couture pieces where texture, not colour, does the talking.

Built on a fine polyester mesh, this fabric is embroidered with multi-color thread in a garden-inspired design of butterflies, blossoms and tufts of grass. Crimson and blush-pink petals are lifted with ivory-white highlights and set off by deep green stems and leaves, while the butterflies are stitched in an openwork manner so the mesh reads through their wings and keeps every motif light and airy. Because the embroidery is drawn with clean, densely packed outlines over a sheer ground, the design stays crisp and dimensional rather than flat.Soft, smooth and breathable, the fine mesh ground stays light against the skin while the embroidery adds a subtle raised texture and a gentle, easy drape. Supplied 52/53 inches wide and 130 g/m2, it is well suited to dresses, evening and cocktail styles, party and occasion looks, blouses and tops, skirts, overlay garments, outerwear layers and couture pieces.

Built on a soft, breathable cotton ground, this fabric brings together two crafts in one surface: raised 3D embroidery and Eyelet work. Plump satin-stitch petals are sculpted above the cloth like hand-modelled blooms, while the leaf motifs are punched clean through to open fine eyelet windows. The dialogue between solid embroidery and open holes gives the design an unmistakable sense of depth and relief.The cotton base keeps the hand soft, breathable and skin-friendly, with just enough body to hold the sculpted embroidery without feeling stiff. Ideal for dresses, blouses, tops, skirts, bridal gowns, occasion wear and couture-inspired pieces, it adds artisan texture and tactile dimension to women's fashion collections.

A pure cotton ground carries a fully three-dimensional embroidered surface: bamboo leaves, butterflies and five-petal blossoms are Embroidered on base tulle fabric, so the motifs stand off the cloth and catch light from every angle. The stitching keeps a soft, clean look rather than a flat printed effect, giving the surface a better 3D effect. A scalloped lace edge runs along the selvedge, so the border arrives already finished and can be used directly as a hem, neckline or sleeve trim.The cotton ground is breathable, supple and comfortable against the skin, while the embroidery holds enough body to keep its shape on the body. At 205 g/m2 on a 50/51 inch cuttable width, the cloth balances structure and fluidity: firm enough for a fitted bodice or a sculpted sleeve, fluid enough for a gathered skirt or a soft overlay. It answers well to bridal and bridesmaid gowns, evening and cocktail dresses, dresses, blouses, tops, skirts and couture pieces where texture, not print, tells the story.

A pure cotton fabric brought to life by three-dimensional embroidery. Dragonflies with finely worked wings hover among slender leafy stems and small blossoms, set in an airy all-over garden layout. Because the embroidery is built up in layers, the motif rises clear of the ground cloth and forms a soft relief that shifts as the light moves across the surface.Woven at 50/51" width and 225 g/m², the cotton ground stays light and breathable while the raised embroidery adds a tactile, dimensional touch. Soft to the hand and comfortable against the skin, it is made for dresses, blouses, skirts, evening and occasion wear, bridal gowns and couture-inspired pieces where texture is the story.

SPT1-Y1748-This fabric is built on a 100 percent cotton ground that carries a three-dimensional embroidery. Nothing here is printed or bonded: the pattern is stitched. Layer upon layer of thread is laid down at high density, each pass building height on the one below, until the motifs rise clear of the base cloth as a raised, sculptural relief. The needlework is arranged in soft wavy bands, and every band is finished along its edge with a fine fringe that catches the light and gives the embroidery a hand-worked, couture character. Seen under side light, the surface is genuinely three-dimensional; pass a hand across it and you feel the ridges rather than a flat print.The all-cotton construction keeps the fabric soft, breathable and comfortable next to the skin, while the embroidery supplies structure and presence. It is supplied at 48/49 inch width and 225 g/m² - light enough to drape naturally, substantial enough to hold its sculpted surface. Well suited to dresses, blouses, tops, s...